Read all the buzz about Evercast in the news.
CineMontage
Surgical Precision: How the Post Team of âThe Pittâ Keeps the Hit Hospital Drama Humming
How Former Assistant Charlie Greene Moved up to the Big Chair with âIs This Thing On?â
A Sound Effect
Crafting Captivating Game Audio for âGhost of YĆteiâ
The âDeliâ: How the Editors Behind Huluâs Cross-Cultural Series Broke Into the âCrimedyâ Genre
postPerspective
Dope Thief Editor Eric Litman on Apple TV+âs Heist Drama
Post Magazine
Overcompensating: Editing Amazon MGM Studiosâ ensemble comedy
Adobe Blog
Bringing the action-packed âFight or Flightâ to life with After Effects
âMoâ Editing: Andrea Folprecht and Lauren Connelly Talk About Netflixâs Cross-Cultural Series
Film Editing Pro
Editing the Oakland-Inspired Freaky Tales with Robert Komatsu
TVB Europe
Telling a dogâs tail: how "The Friend" was edited
AV Nation
Inside Evercast: Revolutionizing Secure Remote Collaboration for Hollywood & Beyond
National Association of Broadcasters
NAB Show Product of the Year 2025
Variety
MovieLabs Launches Leadership Council with Leon Silverman as Chair
AwardsRadar.com
Interview: âDope Thiefâ Editor (and Philly Native) Eric Litman, ACE Can Attest to the New Seriesâ Authenticity
Scriptnotes
Scriptnotes, Episode 678: The On-Set Producer
Editor Corey Frost makes jump from sports documentaries to scripted entertainment
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day â The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
The Lincoln Lawyerâs Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Thelma the Unicorn: Co-director Lynn Wang
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis MĂŒller
The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
draftLine âTouches the Earthâ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpostâs Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible â Dead Reckoning Part One editor Eddie Hamilton
A Small Light Editor Susan E. Kim On Experimenting and Handling Performances With Care
The Rough Cut
Mission: Impossible â Dead Reckoning Part 1
Brian Riordan, Phil DeTolve from Levels Audio on Mixing Bono and the Edge
Flaminâ Hot Director Eva Longoria, DP and Editor Talk Process
BleedingCool
HouseBroken AP Weston Jacoby Discusses Fox Series Development & More
Master Gardener Editor Benjamin Rodriguez Jr. on Working With a Rebel Like Paul Schrader
HPA Online
HPA NET Event Explores Trends in AI with Industry Experts
Content Delivery & Security Association
Convergent Risks Helps Evercast Achieve TPN Gold Shield for Cloud Security
NAB Show Announces Winners of the 2023 Product of the Year Award
Camp Lucky Edits Toyota Motorsports Campaign Promoting Diversity
Art of the Cut
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in the room with his director
Outlook: Technology is redefining how we create
Outlook: Keeping the humanity in a tech-driven post world
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Computer Graphics World
Virtual Studio in the Cloud, Simplified
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From âWhat We Do in the Shadowsâ Evolved
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
The Daily Brief
Fox Sports Courts Fans with Jam-Packed Nascar Campaign
Screen Daily
My Screen Life: Mira Nair on enjoying yoga, cooking dinner and a walk in New York at the end of the working day
Women All Stars Power The Immorals of The Old Guard
The Hollywood Reporter
Animation Editors Weigh Pros and Cons of Working From Home
Women in Film Turns Gala Challenge Into 'Make It Work' CW Special
Vulture
The Mask of Zorro's Martin Campbell on the Secret to Making a Great Romantic Action Epic
Reopening Hollywood: Michael Mann On Resuming Ansel Elgort-Ken Watanabe HBO Max Drama 'Tokyo Vice'; And What About That 'Heat' Prequel?
Randi Altmanâs Post Perspective
Winners: 72nd Engineering Emmy Awards
Engineering Emmys Recognize Remote Working Technology Amid COVID-19 Era
Taking the Hybrid Approach to Remote Post Production and Audio Design
Evercast, Capture Studios Team on Virtual Production
AV Magazine
Continuity and invention in a crisis
Grading and Audio Post In the Cloud
The Irish Times
All quiet on set: How do you make a TV drama in a crisis?
Post-Production Is Thriving Thanks to Technology; Will the Remote Workforce Grow After the Pandemic Subsides?
Animation Xpress
We Responded Early to Deal with COVID-19
Posting Michael Jordan's The Last Dance - before and during lockdown
Michael Mann Is Talking to Directors, Wondering When They Can All Go Back to Work
Hecho Studios: Mobilizing talent and pipeline to keep working
Sports Video Group
One World Concert Production Team Takes At-Home Efforts to New Heights
Post-Production Industry Fears Work Will Dry Up During Shutdown, Ponders A Remote Editing Future
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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