Case Studies

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Evercast News

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & Tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & Tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & Tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case Studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Case Studies

Creative resources

How to create a highly productive music production workflow

Case Studies

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

How Q Department and Mach1 teamed up with Evercast to change post production sound

Leslie Schefman’s remote sound design adds the "bigness" to sleek car ads

Oceans apart: how a pandemic couldn’t stop James Bond

Well Versed with Aaron I. Butler, ACE

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Creative resources

How to create a highly productive music production workflow

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