Interviews
7 min read time
Racing against time—building a global post workflow for F1
Bringing Formula 1 to the big screen meant capturing the precision, speed, and spectacle of the sport—while managing one of the most complex post-production pipelines imaginable. From on-set edits at racetracks around the world to high-profile music sessions with Hans Zimmer and Atlantic Records, the post team juggled time zones, tight turnarounds, and sky-high ambitions. We talked to assistant editor Matt Sweat and music editor Chris Newlin about making the impossible possible.
Jessica Cyrell
10/6/25
