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by industry
Film & episodicGame developmentAdvertisingAnimationMusicArchitecture
BY workflow
Live camera streamingLocation scoutingEditorialColor gradingVirtual productionSound designLive performanceDailiesMotion captureVisual effectsPlaytestingSee all
core features
Video conferencingStream in 4KColor accuracySurround soundCreative toolsSecurity24/7 Support
premium features
App ShareForensic watermarkingTheater modeProfessional services
integrations
Frame.io
Box
Adobe Premiere Pro
DaVinCi Resolve
See all
Blog
NewsCase studiesInterviews
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Stories

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Evercast co-founder Roger Barton shares industry outlook with Post Magazine

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Created with Evercast: Adidas “Dame Time” with Damian Lillard

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Remote Sound Mixing: How The Pros Are Making it Work in 2020

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Can TV & film production resume safely amid a spike in Covid-19 cases?

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Reinventing the self-tape: how remote TV & film casting is evolving for casting pros

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Features

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The benefits of virtual coworking are plenty

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An exploration into 5 movies about obsession

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The power of the video essayist

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From studying devised theater in South Africa to HBO Max’s “The Flight Attendant”: Louisa Levy’s journey as a writer/producer

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Leslie Schefman’s remote sound design adds the "bigness" to sleek car ads

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Embracing esports into the mainstream

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Rolling Rocks & Cheesesteaks: A chat with “Mare of Easttown" Editor, Amy E. Duddleston, ACE

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Oceans apart: how a pandemic couldn’t stop James Bond

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Fantasizing Vicariously: how tabletop role-playing games went virtual

Jacob Rubin

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Essay

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Burnout is a real problem, but it doesn't have to be

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Tech talk

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Building a cloud infrastructure from the ground up

Evercast Team

1/20/25

Tech talk

3 min read time

Why cloud-native, you ask?

Evercast Team

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Filipe Coutinho

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Evercast news

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Evercast makes variety's inaugural list of "10 innovators to watch"

Evercast Team

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From commercials to 'Crank Yankers': Peter Daucsavage’s journey as an editor

Ben Mehlman

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Tech talk

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How to pull off the full rebuild of a remote collaboration platform at the peak of work-from-home

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How to be a mindful collaborator

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Work life balance when you work from home

Ben Mehlman

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Emilee Lindner

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IEEE Real-Time Communications Conference 2023: A Demand-Aware Adaptive Streaming Strategy (Chicago, USA)

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Evercast at JanusCon 2024 (Napoli, Italy)

José Aguerre, PhD

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Flawless collaboration on Spotify, Liquid Death, and other winning campaigns

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Introducing Evercast for Apple Vision Pro: Revolutionize your collaboration experience

Tommy Snyder

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Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

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Well Versed with Aaron I. Butler, ACE

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Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

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Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

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Well Versed with Mark Hartzell, ACE

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The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

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2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

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The Guardians of Justice series gets a superhuman boost from Evercast

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Cutting Everything Everywhere All at Once, the film and the undertaking

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Going out with a bang: Ozark’s post team on the show’s final season

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With your heart on your sleeve: the Editing team of Euphoria on Season 2

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Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

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Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

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The Do’s & Don'ts of Video Conferencing

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Somewhere over the rainbow: a look at color in recent films

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