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BY workflow
Live camera streamingLocation scoutingEditorialColor gradingVirtual productionSound designLive performanceDailiesMotion captureVisual effectsPlaytestingSee all
core features
Video conferencingStream in 4KColor accuracySurround soundCreative toolsSecurity24/7 Support
premium features
App ShareForensic watermarkingTheater modeProfessional services
integrations
Frame.io
Box
Adobe Premiere Pro
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See all
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Interviews

Interviews

6 min read time

Clint Bennett on the art & science of music editing—from “The Old Guard” to “Dune”

Jessica Cyrell

7/8/25

Interviews

Cutting through time & space: Inside the edit of Dune: Prophecy

Jessica Cyrell

6/18/25

Interviews

9 min read time

A Complete Unknown—how post-production hit all the right notes

Jessica Cyrell

2/5/25

Interviews

3 min read time

How Ricky (Sundance 2025) harnessed Evercast to slash costs and lock fast

Jessica Cyrell

2/3/25

Interviews

4 min read time

Well Versed with VFX supervisor Andy Orloff

Jessica Cyrell

1/20/25

Interviews

12 min read time

Zoic Studios: Leveraging Evercast for good business and better art

Jessica Cyrell

1/20/25

Interviews

6 min read time

Navigating waves of sound, evolving tech, and ever learning

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Stephanie Filo, ACE

Jessica Cyrell

1/20/25

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

1/20/25

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

1/20/25

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

1/20/25

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

1/20/25

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

1/20/25

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

1/20/25

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

1/20/25

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

1/20/25

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

1/20/25

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

1/20/25

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

1/20/25

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

1/20/25

Evercast news

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

6/18/25

Features

8 min, 32 sec read time

Great animators throughout time

Filipe Coutinho

1/20/25

Features

5 min read time

The many collaborators of Paul Thomas Anderson

Ben Mehlman

1/20/25

Interviews

10 min read time

Art and performance: what it takes to be a Disney animator

Filipe Coutinho

1/20/25

Features

5 min read time

Streaming: America’s open door to foreign entertainment

Abby Zamis

1/20/25

Features

5 min read time

Unplayable history: the state of video game preservation

Filipe Coutinho

1/20/25

Features

6 min read time

Video’s new home: It’s time to start taking social seriously

Abby Zamis

1/20/25

Interviews

7 min read time

Veteran sound mixer Jonathan Wales reveals the tiny film details no one realizes

Emilee Lindner

1/20/25

Evercast news

4 min read time

Introducing Evercast for Apple Vision Pro: Revolutionize your collaboration experience

Tommy Snyder

1/20/25

Case studies

5 min read time

Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Jessica Cyrell

1/20/25

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

1/20/25

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

1/20/25

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

1/20/25

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

1/20/25

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

1/20/25

Creative resources

How to live stream Frame.io without lag

Jonathan Powell

Read Article

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