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Interviews

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Well Versed with music editor Clint Bennett

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Interviews

6 min read time

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Interviews

Cutting through time & space: Inside the edit of Dune: Prophecy

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Interviews

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How Ricky (Sundance 2025) harnessed Evercast to slash costs and lock fast

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4 min read time

Well Versed with VFX supervisor Andy Orloff

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Interviews

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Zoic Studios: Leveraging Evercast for good business and better art

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Navigating waves of sound, evolving tech, and ever learning

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Well Versed with Stephanie Filo, ACE

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Well Versed with Aaron I. Butler, ACE

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Interviews

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Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

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Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

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Interviews

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Well Versed with Mark Hartzell, ACE

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Interviews

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IEEE Real-Time Communications Conference 2023: A Demand-Aware Adaptive Streaming Strategy (Chicago, USA)

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30 mins watch time

Evercast at JanusCon 2024 (Napoli, Italy)

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Flawless collaboration on Spotify, Liquid Death, and other winning campaigns

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Evercast news

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Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

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Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

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The Last of Us: surviving and thriving in (post apocalypse) post production

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Evercast news

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Interviews

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The Guardians of Justice series gets a superhuman boost from Evercast

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Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

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Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

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With your heart on your sleeve: the Editing team of Euphoria on Season 2

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Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

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Tips & tricks

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How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

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3 min read time

Four things we’ve learned after working remotely in the last two years

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6 min read time

The Do’s & Don'ts of Video Conferencing

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Somewhere over the rainbow: a look at color in recent films

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Interviews

14 min read time

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Interviews

Creative resources

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Interviews

Well Versed with “Overcompensating” editors Todd Downing, ACE and Amelia Allwarden, ACE

Well Versed with music editor Clint Bennett

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Clint Bennett on the art & science of music editing—from “The Old Guard” to “Dune”

Cutting through time & space: Inside the edit of Dune: Prophecy

A Complete Unknown—how post-production hit all the right notes

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Well Versed with VFX supervisor Andy Orloff

Zoic Studios: Leveraging Evercast for good business and better art

Navigating waves of sound, evolving tech, and ever learning

Well Versed with Stephanie Filo, ACE

Well Versed with Aaron I. Butler, ACE

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

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Script pitching in a remote world

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Location scouting 2.0: a new remote route

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Powered by Evercast: “Women in Film Presents: Make It Work!”

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IEEE Real-Time Communications Conference 2023: A Demand-Aware Adaptive Streaming Strategy (Chicago, USA)

Evercast at JanusCon 2024 (Napoli, Italy)

Flawless collaboration on Spotify, Liquid Death, and other winning campaigns

Introducing Evercast for Apple Vision Pro: Revolutionize your collaboration experience

Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Well Versed with Aaron I. Butler, ACE

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Creative resources

5 Evercast alternatives (features & pricing)

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