Interviews

Cutting through time & space: Inside the edit of Dune: Prophecy

Jessica Cyrell

Interviews

9 min read time

A Complete Unknown—how post-production hit all the right notes

Jessica Cyrell

Interviews

3 min read time

How Ricky (Sundance 2025) harnessed Evercast to slash costs and lock fast

Jessica Cyrell

Interviews

4 min read time

Well Versed with VFX supervisor Andy Orloff

Jessica Cyrell

Interviews

12 min read time

Zoic Studios: Leveraging Evercast for good business and better art

Jessica Cyrell

Interviews

6 min read time

Navigating waves of sound, evolving tech, and ever learning

Jessica Cyrell

Interviews

3 min read time

Well Versed with Stephanie Filo, ACE

Jessica Cyrell

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case studies

5 min read time

Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Jessica Cyrell

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Interviews

Creative resources

How to live stream Frame.io without lag

Interviews

Cutting through time & space: Inside the edit of Dune: Prophecy

A Complete Unknown—how post-production hit all the right notes

How Ricky (Sundance 2025) harnessed Evercast to slash costs and lock fast

Well Versed with VFX supervisor Andy Orloff

Zoic Studios: Leveraging Evercast for good business and better art

Navigating waves of sound, evolving tech, and ever learning

Well Versed with Stephanie Filo, ACE

Well Versed with Aaron I. Butler, ACE

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Zoom vs Evercast vs cineSync & more: Side-by-side comparison

Created with Evercast: Adidas “Dame Time” with Damian Lillard

Location scouting 2.0: a new remote route

Remote Sound Mixing: How The Pros Are Making it Work in 2020

Powered by Evercast: “Women in Film Presents: Make It Work!”

Remote video editing: 5 tips to succeed away from the edit bay

Can TV & film production resume safely amid a spike in Covid-19 cases?

7 tips on how to increase bandwidth for streaming or video conferencing

10 cybersecurity tips to keep in mind while working remotely

Reinventing the self-tape: how remote TV & film casting is evolving for casting pros

Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Well Versed with Aaron I. Butler, ACE

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Creative resources

How to live stream Frame.io without lag

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A simple post-production schedule template [Free download]

Comparing the top low-latency video streaming protocols

How to live stream Unreal Engine without lag

What you need for a home film editing studio (with examples)

How to live stream Adobe After Effects without lag

How to live stream Premiere Pro without lag

How to live stream your editing software without lag

How to stream Avid using NDI (plus a better alternative)

Video streaming latency: What affects it & how to improve it

A simple guide to ultra-low latency streaming (+ solutions)

How to diagnose and fix latency when using NDI

How to design a remote workflow around Avid Media Composer

5 expert tips for successful remote color grading sessions

How to use NDI for streaming (plus a better alternative)

The 6 best previs software to support your next project

How the Apple Vision Pro could change video editing forever