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Film & episodicGame developmentAdvertisingAnimationMusicArchitecture
BY workflow
Live camera streamingLocation scoutingEditorialColor gradingVirtual productionSound designLive performanceDailiesMotion captureVisual effectsPlaytestingSee all
core features
Video conferencingStream in 4KColor accuracySurround soundCreative toolsSecurity24/7 Support
premium features
App ShareForensic watermarkingTheater modeProfessional services
integrations
Frame.io
Box
Adobe Premiere Pro
DaVinCi Resolve
See all
Blog
NewsCase studiesInterviews
press & awards
AwardsPress highlightsPress releases
Support
Help CenterFAQContact Support

Creative resources

Creative resources

4 min read time

How to design a remote workflow around Avid Media Composer

Kate Brunotts

1/20/25

Creative resources

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5 expert tips for successful remote color grading sessions

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How to use NDI for streaming (plus a better alternative)

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Evercast vs. Louper: A head-to-head comparison for 2025

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AVID Media Composer vs. DaVinci Resolve: Comparison for 2025

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How to use OBS with Zoom (Plus a better alternative)

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6 software that let you edit video in 7.1 surround sound

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Can game developers use cineSync for their workflows?

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How to collaborate in Autodesk Maya

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Comparing Audiomovers vs. Source-Connect for audio collaboration

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75+ essential Maya shortcuts: your 3D cheat sheet

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Creative resources

8 min read time

How to create a highly productive music production workflow

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Talks

30 min. watch time

IEEE Real-Time Communications Conference 2023: WebRTC for collaborative content creation (Chicago, USA)

Damien Stolarz

1/20/25

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

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Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

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Interviews

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Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

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Talks

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Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

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Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

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Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

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Interviews

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Well Versed with Mark Hartzell, ACE

Jessica Cyrell

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Interviews

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The Last of Us: surviving and thriving in (post apocalypse) post production

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Evercast news

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3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

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The Guardians of Justice series gets a superhuman boost from Evercast

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Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

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Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

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Interviews

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Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

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1/20/25

Interviews

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With your heart on your sleeve: the Editing team of Euphoria on Season 2

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Interviews

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Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

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Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

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The Do’s & Don'ts of Video Conferencing

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Case studies

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Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Jessica Cyrell

1/20/25

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

1/20/25

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

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6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

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3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

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Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

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Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

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Stories

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Somewhere over the rainbow: a look at color in recent films

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A call to action: an interview with documentarian Nicholas Mihm

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Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

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Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

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Features

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The impact of Black musicians on film and television

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Creative resources

How to live stream Frame.io without lag

Jonathan Powell

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A simple post-production schedule template [Free download]

Jonathan Powell

Comparing the top low-latency video streaming protocols

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What you need for a home film editing studio (with examples)

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How to live stream Adobe After Effects without lag

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How to live stream Premiere Pro without lag

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How to live stream your editing software without lag

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Video streaming latency: What affects it & how to improve it

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How to diagnose and fix latency when using NDI

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How to design a remote workflow around Avid Media Composer

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5 expert tips for successful remote color grading sessions

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How to use NDI for streaming (plus a better alternative)

Kate Brunotts

The 6 best previs software to support your next project

Kate Brunotts

How the Apple Vision Pro could change video editing forever

Kate Brunotts

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